Michael Shrieve had actually a moment, among those “big star” moments, as soon as he was just 20 years old. It was a moment—well, nine-and-a-half minutes, actually—that resonated as it happened, made a huge impact the complying with year, and has continued to have effects for decades.

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Shrieve to be Santana’s drummer, play alongside percussionists Michael Carabello and also Jose Chepito Areas, and also the gig to be a 45-minute, midday set at the wooden storm Music & art Fair in respectable 1969. He was the second-youngest musician on stage during the whole three-day run.

It to be guitarist Carlos Santana’s band, certainly. Yet when documentary director Michael Wadleigh reduced the film, what he determined to to mark from Santana was an extremely much the group’s percussionists, special their expanded jam during “Soul Sacrifice.” Movie audience in their seats were whipped into the same kind the Latin-rock frenzy that had stunned the standing, sweating crowd at the festival.

“The suffer was something that was irreplaceable,” claims Shrieve, top top the phone native his Seattle home, in our interview indigenous September 2016. “It was a milestone. As soon as we obtained there—aside indigenous hearing that the highway to be closed, beside from flying in in the helicopter and seeing that amount of people—the endure of law it was actually somewhat surreal due to the fact that nobody knew united state at all. We didn’t even have a document out.”

Watch Shrieve’s Woodstock drum solo, start at around the 3:05 mark…

Related: Joni Mitchell’s “Woodstock”: Behind the Song

And it wasn’t prefer Shrieve was a grasp of Latin rhythm. “I had actually a publication that i did some practicing the end of, a very simple Latin rhythm book by a guy named Ted Reed,” the says. “But I had no suffer whatsoever and you have the right to hear the in the music, since I play so inauthentically. I simply tried to fit in through them in a method that feel good. Even when we perform Latin rhythms, I’m constantly swinging favor a jazz drummer ~ above the cymbals. So, it’s different than a Latin player and also in retrospect the what developed the sound of our rhythm section. It was a combination of elements that had actually its own feeling.”

Santana’s eponymous debut was taped in may of ’69 and did no hit record racks until that August. “That was yes, really something the we gained over favor that,” Shrieve says, sounding still rather amazed. “I have the right to only figure that the was type of a tribal aspect in the music and the tribal feeling of the audience, yet we really connected. The was yes, really an remarkable experience and also then as soon as the film came out the was a totality other dimension: first of all, see ourselves like that in a theater—we hadn’t seen any kind of rough cut or noþeles so seeing it was yes, really amazing and then, the course, the way that has imprinted in people’s hearts and also minds and stayed that method over all this time is amazing.”

Beyond “Soul Sacrifice,” the AM and progressive FM classic rock radio hits—“Jingo,” “Evil Ways,” “Black Magic Woman,” “Oye Coma Va”—kept coming, make Santana one of the significant rock bands the the era.

The fence to Woodstock, the movie?

“For the longest time, for many years, I simply kept trying come tell people around what ns was doing aside from Woodstock,” states Shrieve. “Because it to be so impactful, therefore many human being asked around it. That was my lot in life. It was prefer being Shirley holy place or something. I was constantly like, ‘Have you heard my recent record?’

“At a specific point, ns think ns was roughly 35 year old, I stated , ‘You recognize what, just shut up and also be grateful. You’ve done something that way so lot to so many. Just keep law what you do, and change your attitude and also just have actually gratitude.”

Related: What came to be of the wood storm performers?

Shrieve continued to be with Santana with 1974, play on 5 albums. Shrieve talked about the toll fee the rock ’n’ role lifestyle, the medicine specifically, took. Looking back, that says, “I have the right to see details periods and I have the right to just watch it ~ above the encounters of everybody. That terrible. Yet we’re alive and we’re kicking and thriving and we’re thankful for that.”


Michael Shrieve through Santana IV in 2016. (Photo: Chad Tasky, courtesy of Michael Shrieve)

Shrieve was active after that left Santana in the mid-’70s, v the bands automatic Man and also Go, the latter a prog-rock/jazz supergroup through Steve Winwood, Stomu Yamashta, Tangerine Dream’s Klaus Schulze and also Return to Forever’s Al Di Meola. Shrieve additionally played percussion top top the rojo Stones’ Emotional Rescue album.

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Carlos Santana, of course, walk on to lot success under his very own name, utilizing both his complete name and also the “Santana” name at times because that billings. The team was inducted into the Rock and Roll hall of reputation in 1998, and reunited for the occasion. The complying with year, Carlos Santana’s Supernatural album, with its numerous collaborators—including Eric Clapton, Dave Matthews and also Rob Thomas, that sang the hit “Smooth”—sold millions of copies, and also that success spiraled into the early aughts.

In 2013 Carlos reconnected with the guys in the “classic” lineup—Shrieve, singer-guitarist Neal Schon (who joined in 1971), singer/keyboardist Gregg Rolie (both trip men) and also percussionist Carabello. (Timbales player areas wasn’t invited; Benny Rietveld joined on bass and Karl Perazzo top top percussion.) The reunited team recorded Santana IV, exit in April 2016.

Related: BCB’s evaluation of Santana IV

Life—and playing music—is different from as soon as you’re simply barely the end of your teens and when you in your seventh decade. “I’m 67 now,” Shrieve told united state in 2016, “so what was additionally interesting to be preparing because that these shows. Going over music the you played once you were twenty years old and also playing at this age, through this band, yes a physicality to it that is a entirety other story. It is one real evident situation the demanded fairly a little of attention since even if you’re play , it’s various when you’re play Santana music. It’s pretty intense and also it’s loud. Those men are loud now!”

To gain in element shape, Shrieve – born ~ above July 6, 1949, says, “I literally visited physical treatment three time a week for five weeks, functioning on stuff through my forearms, juicing and going come the gym, going to the collection with the heater on, like warm yoga. That course, mentally, yes, we’re all different, yet we have an expertise that what we proficient as young men, what we produced as young men, means a lot to each among us, individually, so we lug that gratitude through us come the table once we get together, that acknowledgement and recognition. Us don’t argue together much. We all put our finest foot forward and shot to do the music as solid as possible.”

“For part years there had been speak of this going on,” Shrieve says, of a potential reunion, “and it lastly happened a couple of years ago, as soon as we finally got in a room together and also played. Wednesday all remained in touch, however to go and also play, that was a different thing. It to be without congas and bass—it was just Gregg Rolie and also Carabello and also Carlos and myself. That was just to see if that initial chemistry to be still there.

“The exceptional thing was exactly how much it to be there, that there yes, really is such a point as chemistry and what we execute together has actually a pressure of the own. And then, the an innovative process to be pretty fast as well. We had a the majority of extra stuff. Also though the was attracted out, whatever went quite quickly. Ns think the record sounds good and we have actually a DVD coming out of a show that us did in ras Vegas.”

“We rehearsed one night and then us played at residence of Blues . And we did three gigs top top the east Coast and also they were all an excellent too. The only disappointment through those performances to be that us didn’t take it top top the road over the summer.”


The Santana IV lineup (L-R): Gregg Rolie, Michael Carabello, Carlos Santana, Neal Schon, Michael Shrieve

So will “Santana IV” hit the roadway again?

“There are no plans,” says Shrieve, “not the I know of. It’s up to Carlos. There was claimed to be some gigs v Journey and there was one two days earlier at the Forum in L.A. And also there was a large one at at & t Park and also we were an alleged to be on that however Carlos simply opted come go through his continual band. Ns don’t understand what the factor is and also there hasn’t been lot communication.”

It baffles Shrieve. The album went top 10, the days they walk play go well. And, let’s challenge it, even best-selling records barely market a fraction of what they offered to and also musicians make their money touring.

“The record’s done relatively well,” says Shrieve. “I can’t hide the fact that ns disappointed that we didn’t go out.”

Shrieve isn’t certain if the door is open or closeup of the door on Santana IV. “The thing is, ns don’t know and it’s a little bit odd, I should say. There to be a large buildup and it to be a great experience playing with the males again at Madison Square Garden and also the other dates and also then … nothing. I don’t recognize quite what to equate that with, yet it was prefer a huge buildup and also then it to be gone.”

It’s not that Shrieve is sitting about waiting for the call. Currently, the plays v a five-piece team in Seattle, Michael Shrieve’s Spellbinder, including Hammond B-3 organist Joe Doria, guitarist Danny Godinez, bassist Farko Dosumov and trumpeter Raymond Larsen. They have two albums, the first Michael Shrieve’s Spellbinder Live at Tost and the second, simply Michael Shrieve’s Spellbinder.

“The music is different and I bring another sensibility come it than I execute to Santana,” claims Shrieve. “You have actually to discover the center within yourself. The significance of myself is quiet there yet it’s grown in methods of wisdom and I technique it the way. Ns sit down to the north in a method I have actually musical regulate over. It’s much more like floating down a river, much more of a Zen method I take to the totality thing. It’s critical music. It’s not ‘out there’ and it’s not esoteric.

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Watch Michael Shrieve’s Spellbinder performing live

“I’ve got another record dubbed Drums the Compassion wherein I’m was standing up playing 16 toms in a semi-circle. It’s practically like a mediation record, however it’s likewise got some great Jack DeJohnette and Airto ~ above it and I do a piece with Amon Tobin and also Trey Gunz so i’m excited around that as well.”


As a high institution baseball player farming up in Maine, I offered to pump myself up for gamings by play Raw power by Iggy & the Stooges –the ultimate adrenaline rush. Mine friends and also team mates didn"t quite get it. They chosen Chicago (the band). But that was OK: the punk rock change was roughly the corner, and that"s where my music taste locked in with countless others, bored v corporate rock. Yes, I had actually Slade, Mott, Bowie and Roxy to obtain me there, too. That punk (and post) period was a time of excessive excitement (friction, joy, conflict) that motivated me come write about what i loved. And it opened the doors come even more worlds. Ns wrote about pop music and other arts because that the Boston globe for 25-plus years, with an ext than 10,000 story to mine credit before leaving in 2005. Due to the fact that then i’ve freelanced because that the Boston Phoenix, Boston Herald, whereby magazine, Boston Common, Yankee magazine online, Time the end Boston, united state News & human being Report, the Cape cod Times. I host the XFINITY on demand music/interview show “Boston Rock/Talk,” and write and also edit www.jimsullivanink.com, which serves as a critical guide to arts and events approximately metro Boston.